In the last few months, the promotional and cover art for The Sons of Masguard has been getting a fair amount of notice. Ooohs and ahhs are becoming more and more frequent at signings and afterschool events -- enough so that it's bordering on the bizarre to realize I've yet to properly introduce you to the wizard behind the curtain.
While anyone who has followed the series from the beginning knows that I've been working with my own illustrations for quite some time (and I can't thank you enough for having been so marvelously supportive), it doesn't shame me at all to say that my artistic abilities weren't up to the task of bringing this series to life with the richness of texture and detail that was in my head. I adore these characters and -- regardless of whether or not it might be indicative of a very unlhealthy mental condition -- I wanted more for them than my untrained pen could give.
Did you know the internet is full of insanely talented artists? Seriously. FULL of them. And in that digital sea of skill, I found this:
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| Tea Time and Ale |
It was the browsing equivalent of being stopped in your tracks by a mountain of manna from heaven. The artist's name was Jerome Jacinto (known to followers of Deviant Art as Chichapie) and his stunning online gallery had me at upright armored animals.
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| The Rook of Corin (The Sons of Masguard - Book Three) |
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| The Mosque Hill Fortune (The Sons of Masguard - Book One) |
So it is an honor and a privilege to have him HERE for an interview. Enjoy, and be sure to check him out on Deviant Art, Twitter, and in the phenomenal game design of Pocketwatch Games' upcoming LEADtoFIRE.
Could you tell us a little bit about you?
Hi, my name is Jerome Jacinto. I'm from the Philippines. Art is my hobby as much as it is my profession. I'm also a parkour practitioner, martial artist, and someone who enjoys videogames.
When did you first realize that art was something you wanted to pursue?
It was around mid high school. I realized that I have what it takes to push it forward to greater heights.
How did you find your style?
Well, to be honest, I went through many different styles in my artistic pursuit. I think it's proper to say that I did not 'find' it like it was an instantaneous moment of realization, but more of a very slow and thorough process of years of experimentation, observation and research.
The styles I decided to go through before was more or less the product of the times. At one point, my art looked incredibly inspired by mainstream anime because it was popular at the time. A year later, I decided to go mainstream western comics, such as marvel/DC because I knew a career in mainstream comics pays well. I came to the point that I wanted a visual style that isn't majorly copied, but more of a product of extensive experimentation as mentioned above, and insiration. That's how I got to where I am now.
What are your preferred mediums?
In no particular order: Watercolor, Gouache, Inks, and Digital.
Is there a particular piece of artwork that you’re most proud of?
Well, these :)
 The Goblin Photobomb |  Beyond the Western Deep |
 LEADtoFIRE |  Contest Entry |
What is it like within the artist community? Are your fellow painters supportive, competitive?
I guess that really depends on what part of the community you're in. Where I used to frequent, they are both supportive and competitive to promote challenging yourselves and others. We prefer constructive criticisms above all, but praises can't hurt in small doses, we sometimes need moments of respite after all :) One principle that I follow nowadays that I'm sure other committed artists can understand, is "Don't be the best, be better".
Places like Deviant Art, where your gallery can be found, house an extraordinary level of talent. They also seem to turn the illustrative process into a fairly social experience. Does the constant exposure to feedback help or hinder your process?
It goes both ways actually. Initially, I enjoyed the back pats I receive from viewers, which I do still at present. Most of the time, those are what I recieve. But I realized I needed professional and constructive criticism to move forward faster, and to gain a better understanding at what I'm pursuing.
That's why whenever I receive a good, long and thorough critique of anything I do, I treasure them the most.
Has this changed the way you do things?
It has, in a double edged sword kind of way. Because of it, I'm reliant on others' feedback. But what if there's no one around to give you feedback? That's when I realized I needed to have the quality of being aware of the state of my own work.
Do you think the proliferation of artistic software has made painting more accessible?
Yeah definitely. While it definitely does not compare to the physical feedback you get from actual traditional painting, it does offer convenience when it comes to equipment.
What obstacles have you had to overcome in order to get to where you are?
Lack of time, physical and mental exhaustion. Distractions of course.
Who was your biggest influence when you began?
Too many to count. But I guess the one artist that got me started on this road was the late Frank Frazetta.
Who most impresses you in the field today?
Paul Bonner, Juan Jose Guarnido.
What is it about your job that most excites you/gets you out of bed in the morning?
To put my ideas into a visual treat. :)
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| A Scone Moment |
I'm currently doing majority if the art assets for Pocket Watch Games' upcoming title "LEADtoFIRE" and some card art for League of Geek's "Armello".
If you could work on any project in your field, what would it be?
I haven't put much thought on that really, since I just flow along the tides and take what I can. I do like to get involved in some work involving Magic The Gathering.
And lastly, because this is a required question of all my guests… ninjas or pirates?
Can it be a hybrid of both? I revere the inhuman traversal mechanics of ninjas and adore the thrill seeking life of pirates. :)
This is really good. I like it very much.
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